€89.00
€2,249.00
-Mahogany body
-"Flamed" maple
-Maple neck
-Rosewood Fretboard
€899.00
| Top Wood | Maple |
| Back Wood | Mahogany |
| Number of Frets | 22 |
| Scale Length | 27.7" |
| Neck Wood | Maple |
| Neck Shape | Wide Fat |
| Fretboard Wood | Rosewood |
| Fretboard Inlay | Birds |
| Bridge | PRS-Designed Plate-Style Bridge, String Through |
| Tuners | PRS-Designed Tuners |
| Hardware Type | Nickel |
| Treble Pickup | 85/15 "S" |
| Bass Pickup | 85/15 "S" |
| Controls | Volume and Push/Pull Tone Control with 3-Way Toggle Pickup Switch |
| Strings | 14-68 |
€975.00
| Body Wood | Mahogany |
| Number of Frets | 24 |
| Scale Length | 25" |
| Neck Wood | Maple |
| Neck Shape | Wide Thin |
| Fretboard Wood | Rosewood |
| Fretboard Inlay | Birds |
| Bridge | PRS Patented Tremolo, Molded |
| Tuners | PRS-Designed Tuners |
| Hardware Type | Nickel |
| Treble Pickup | 85/15 "S" |
| Bass Pickup | 85/15 "S" |
| Controls | Volume and Push/Pull Tone Control with 3-Way Blade Pickup Switch |
€250.00 €349.00
€899.00
The PRS SE Custom 22 Semi-Hollow has musical midrange and outstanding resonance. The semi-hollow body provides an airy, sweet tone but with a twist of the tone knob, the dual humbuckers can get plenty of bright spank. Additional appointments include a maple top, mahogany back and neck, rosewood fretboard, and dual 85/15 “S” pickups with volume and tone controls paired with a 3-way toggle pickup selector. 85/15 “S” pickups lend remarkable clarity and extended high and low end to this semi-hollow’s voice.
The SE Custom 22 Semi-Hollow is both versatile and comfortable, making it a reliable tool for professionals, a solid choice for beginners, and a welcome addition to any arsenal.
| Top Wood | Beveled Maple and Flame Maple Veneer |
| Back Wood | Mahogany |
| Body Contruction | Chambered with Single F-Hole |
| Number of Frets | 22 |
| Scale Length | 25" |
| Neck Wood | Maple |
| Neck Shape | Wide Thin |
| Fretboard Wood | Rosewood |
| Fretboard Inlay | Birds |
| Bridge | PRS Stoptail |
| Tuners | PRS Designed Tuners |
| Hardware Type | Nickel |
| Treble Pickup | 85/15 "S" |
| Bass Pickup | 85/15 "S" |
| Controls | Volume and Tone Controls with 3-Way Toggle Pickup Switch |
€1,059.00
The band Periphery has become a force to be reckoned with in the progressive metal scene thanks to their complex rhythms and soaring melodies. Guitarist Mark Holcomb helps achieve this full, lethal sound with his PRS guitars and signature Seymour Duncan Alpha and Omega pickups. PRS and Holcomb have worked closely together to develop a truly unique guitar for the SE Series lineup.
"With my SE signature model, we managed to capture all of the defining characteristics of my Maryland-made guitar and turn it into a streamlined, less-costly package. It is an incredibly special instrument, and one that is now the primary focus of my rig in the studio and onstage." - Mark Holcomb, Periphery
The SE Mark Holcomb model truly stands on its own in the PRS lineup and delivers addictive playability thanks to some unique specifications, including a 24-fret, 25.5” scale length wide thin satin maple neck with 20” radius ebony fretboard. Holcomb’s signature pickups provide the right amount of output and articulation whether you’re playing sophisticated chords or solos and whether you’re playing alone or working in the mix of a band. Other specifications include a quilted maple veneer, black chrome hardware, and a 3-way blade pickup switch with push/pull tone knob for coil splitting.
| Top Wood | Beveled Maple with Quilted Maple Veneer |
| Back Wood | Mahogany |
| Number of Frets | 24 |
| Scale Length | 25.5" |
| Neck Wood | 3-Piece Maple with Satin Finish |
| Neck Shape | Wide Thin |
| Fretboard Wood | Ebony with White Binding |
| Fretboard Inlay | Birds |
| Bridge | Plate Style |
| Tuners | PRS-Designed Tuners |
| Hardware Type | Black Chrome |
| Treble Pickup | Mark Holcomb Signature Seymour Duncan “Omega” |
| Bass Pickup | Mark Holcomb Signature Seymour Duncan “Alpha” |
| Controls | Volume and Push/Pull Tone Controls with 3-Way Blade Pickup Switch |
| Strings | 10-46 |
| Tuning | Ships Tuned to Drop C. Low to High: C, G, C, F, A, D. |
"This PRS SE is super playable, sleek, and has monstrous tone...we think this is one of the most exciting guitars so far this year! At the price, we also think it’s a fabulous value for the money.”
"The spec on offer here represents a high quality and, dare we say it, ‘posh’ metal guitar with a little bit extra under the hood thanks to the split-coil tones.”
Sold Out
PRS 30th Anniversary Custom 24 Black Cherry Ltd Edition
The 30th Anniversary Custom 24 is specially appointed with a unique inlay pattern and commemorative truss rod cover to celebrate 30 years of PRS Guitars and the Custom 24. In addition to the specifications, that have remained unchanged on the Custom 24 since its inception. This 30th Anniversary edition features the new 85/15 treble and bass pickups.
The Custom 24 is the original PRS. When this guitar was introduced in 1985, the combination of a 24-fret, 25” scale length, dual humbucking pickups, tremolo guitar was a distinctive configuration, offering players a new tonal option. Pairing this with a more traditional combination of maple top, mahogany back, and rosewood fretboard helped give the Custom 24 its signature look, feel, and tone. For three decades, the Custom 24 has been the favorite of musicians, defining the playability and tone that PRS guitars are well known for.
Features
Last one availaible!
€3,695.00
€3,195.00 €3,495.00
€4,199.00 €4,799.00
Custom 24
Made in Maryland usa
Neck : Pattern Thin
guitar is a top ten top satin finish
pick ups 85-15 treble and bass
€342.00
| Max. Load | 60 W |
|---|---|
| Impedance | 16 |
| Weight | 20,0 kg |
€3,999.00 €4,199.00
The McCarty 594 is a vintage-inspired instrument that is at once incredibly familiar and effortlessly playable. Whether you are looking for rich, authentic, vintage humbucking tones or nuanced, sweet singlecoil sounds, the McCarty 594 can seamlessly master both sonic territories thanks to the 58/15 LT pickups and push/pull coil taps on the tone controls. The electronics layout, a few key specifications, and PRS craftsmanship combine in the McCarty 594 to create an instrument that plays in tune, is intonated the entire length of the neck, and feels like a guitar that you’ve been playing forever.
A few key specifications that contribute to the McCarty 594’s tone and feel are:
"The 594 is the best new guitar I've played in years. It has a vintage heart and soul but without the technical limitations that usually come along with an old instrument. What good is an old guitar if you can't get all that feel out of the upper frets, or the intonation is off? To hear that old PAF sound but be able to articulate the notes in a way that only modern manufacturing could allow is so exciting." – John Mayer
"I think a lot of people know PRS as a company that is looking to history, innovating, and improving all at the same time. The McCarty 594 is a great example of that culture. I believe it to be a great musical instrument… quality, playability and tone. It is also, as the ad says, subtly very different. When we were developing the 594, we examined everything: the scale length, the tuners, the bridge materials, the nut material, the pickups, the neck shape...... every piece of this instrument was designed to be exactly what we thought it needed to be to add up to the best instrument we could make. The final guitar, in my experience, is more than the sum of its parts. My hope is it is a source of joy and real musicality for everyone who picks one up. So far, it seems to be doing its job in that regard" – Paul Reed Smith
| Top Wood | Figured Flame Maple |
| Back Wood | Mahogany |
| Number of Frets | 22 |
| Scale Length | 24.594" |
| Neck Wood | Mahogany |
| Neck Shape | Pattern Vintage |
| Fretboard Wood | Rosewood with Binding |
| Fretboard Inlay | Birds |
| Truss Rod Cover | "McCarty 594" |
| Bridge | PRS 2-Piece Stoptail |
| Tuners | PRS Phase III Locking Tuners |
| Hardware Type | Nickel |
| Controls | Two Volume and Two Push/Pull Tone Controls with 3-Way Toggle Pickup Switch on Upper Bout |
| Option | 10-Top Flame |
€552.00
| Wattage (Nominal) | 15/7 (Switchable) |
| Channels | 2 |
| Gain Channel | Gain, Master, Treble, Middle, Bass |
| Clean Channel | Volume, Treble (with pull Boost), Middle, Bass |
| Global | Presence, Channel Switch Toggle, Standby, Power |
| Inlet | Fused Power Inlet (IEC) |
| Effects Loop | Loop Return, Loop Send |
| Bias | Fixed Bias, Adjustable (bias jacks accessible from back panel) |
| Power Tubes | 2x 6L6GCMS |
| Preamp Tubes | 6x JJ EC83S |
| Amp Width | 14" |
| Amp Depth | 8" |
| Amp Height | 7.25" (with feet) |
| Amp Weight | 17.8 lbs |
| Included Accessories | 1-Button Footswitch (Channel Gain/Clean), Amp Cover |
€3,999.00
Designed and played by Paul Reed Smith for players and guitar aficionados the world over. “These guitars have a beautiful new look and a highly musical tone that I love,” Paul Reed Smith.
Carrying on the Modern Eagle tradition, Paul’s Guitar is essentially a production version of his Private Stock guitar. Paul specified every appointment of this instrument from the wood selection and inlay design to the pickups. Paul’s Guitar is now offered with the option of PRS’s patented tremolo bridge or a stoptail bridge with brass inserts. “The stoptail bridge is still our aluminum bridge but at the point at which the string starts vibrating it’s brass to promote the musical high range of the guitar,” said Paul. With exclusive “brushstroke” bird inlays and two narrow 408 pickups, this guitar is not only unique...it’s the guitar that Paul Reed Smith has been playing in his studio and on the stage.
€1,395.00 €1,695.00
PRS S2 Mira Vintage Cherry Dots
With an understated, refined appearance, instant comfort and playability, and a voice that is familiar and captivating, the vintage-inspired S2 Mira is a guitar you won’t want to put down.
Its all-mahogany body and asymmetrical, beveled top give the S2 Mira much of its explosive tone. And while not a super high output guitar, the S2 Mira can be overdriven into well-rounded, organic rock tones without sacrificing the punch or clarity found in higher-output guitars (or even active pickups). The bridge pickup is rich with some sparkle and substantial but tight low end, while the neck pickup is a little darker providing great balance and vintage tones.
Features
€1,539.00
| Body Wood | Mahogany |
| Number of Frets | 22 |
| Scale Length | 25" |
| Neck Wood | Mahogany |
| Neck Shape | Pattern Regular |
| Fretboard Wood | Rosewood |
| Fretboard Inlay | Dots (Birds Optional) |
| Bridge | Bigsby B-50 |
| Tuners | PRS S2 Locking Tuners |
| Hardware Type | Nickel |
| Treble Pickup | S2 Starla Treble |
| Bass Pickup | S2 Starla Bass |
| Controls | Volume and Push/Pull Tone Control with 3-Way Blade Pickup Switch |
€1,295.00
| Body Wood | Mahogany |
| Number of Frets | 24 |
| Scale Length | 25" |
| Neck Wood | Mahogany |
| Neck Shape | Pattern Regular |
| Fretboard Wood | Rosewood |
| Fretboard Inlay | Dots |
| Bridge | PRS-Designed Tremolo |
| Tuners | PRS S2 Locking Tuners |
| Hardware Type | Nickel |
| Treble Pickup | PRS S2 HFS Treble |
| Bass Pickup | PRS S2 Vintage Bass |
| Controls | Volume and Push/Pull Tone Control w/ 3-Way Blade Switch |
€1,295.00
| Body Wood | Mahogany |
| Number of Frets | 24 |
| Scale Length | 25" |
| Neck Wood | Mahogany |
| Neck Shape | Pattern Regular |
| Fretboard Wood | Rosewood |
| Fretboard Inlay | Dots |
| Bridge | PRS-Designed Tremolo |
| Tuners | PRS S2 Locking Tuners |
| Hardware Type | Nickel |
| Treble Pickup | PRS S2 HFS Treble |
| Bass Pickup | PRS S2 Vintage Bass |
| Controls | Volume and Push/Pull Tone Control w/ 3-Way Blade Switch |
€1,295.00
| Body Wood | Mahogany |
| Number of Frets | 24 |
| Scale Length | 25" |
| Neck Wood | Mahogany |
| Neck Shape | Pattern Regular |
| Fretboard Wood | Rosewood |
| Fretboard Inlay | Dots |
| Bridge | PRS-Designed Tremolo |
| Tuners | PRS S2 Locking Tuners |
| Hardware Type | Nickel |
| Treble Pickup | PRS S2 HFS Treble |
| Bass Pickup | PRS S2 Vintage Bass |
| Controls |
Volume and Push/Pull Tone Control w/ 3-Way Blade Switch
|
€1,539.00
| Bridge | PRS Plate-Style |
| Tuners | PRS S2 Locking Tuners |
| Hardware Type | Nickel |
| Body Wood | Mahogany |
| Number of Frets | 22 |
| Scale Length | 25" |
| Neck Wood | Mahogany |
| Neck Shape | Pattern Regular |
| Fretboard Wood | Rosewood |
| Fretboard Inlay | Dots (Birds Optional) |
€5,900.00
€799.00
€879.00 €900.00
| Top Wood | Solid Sitka Spruce |
| Middle Wood | Ovangkol |
| Back Wood | Ovangkol |
| Body Shape | Angelus Cutaway |
| Body Depth at Neck Block | 3 19/32” |
| Body Depth at Tail Block | 4 3/8” |
| Bracing | PRS Hybrid “X”/Classical Bracing |
| Body Purfling | Tiger Acrylic |
| Body Binding | Cream |
| Rosette | Tiger Acrylic, Cream/Black |
| Number of Frets | 20 |
| Scale Length | 25.3” |
| Neck Wood | Mahogany |
| Neck Shape | Wide Fat |
| String Spacing | 2 7/32” |
| Fretboard Wood | Ebony |
| Fretboard Inlay | Birds |
| Strength/Truss Rod | Adjustable |
| Nut | Bone |
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| Top Wood | Solid Sitka Spruce |
| Middle Wood | Figured Maple |
| Back Wood | Figured Maple |
| Body Shape | Angelus Cutaway |
| Body Depth at Neck Block | 3 19/32” |
| Body Depth at Tail Block | 4 3/8” |
| Bracing | PRS Hybrid “X”/Classical Bracing |
| Body Purfling | Abalone |
| Body Binding | White/Black |
| Rosette | Abalone, White/Black |
| Number of Frets | 20 |
| Scale Length | 25.3” |
| Neck Wood | Mahogany |
| Neck Shape | Wide Fat |
| String Spacing | 2 7/32” |
| Fretboard Wood | Ebony |
| Fretboard Inlay | Birds |
| Strength/Truss Rod | Adjustable |
| Nut | Bone |
€899.00 €999.00
| Top Wood | Beveled Maple Top and Flame Maple Veneer |
| Back Wood | Mahogany |
| Number of Frets | 22 |
| Scale Length | 24.5" |
| Neck Wood | Mahogany |
| Neck Shape | Wide Fat |
| Fretboard Wood | Rosewood |
| Fretboard Inlay | Birds |
| Bridge | PRS Adjustable Stoptail |
| Tuners | PRS-Designed Tuners |
| Hardware Type | Nickel |
| Treble Pickup | 57/08 "S" |
| Bass Pickup | SE Soapbar |
| Controls | 2 Volume and 2 Tone Controls w/ 3-Way Toggle Pickup Selector on Upper Bout |
Sold Out
€899.00
The pickups in this guitar are based on the amazing 85/15 pickups that have recently been used in all of the American Core line models. Paul Reed Smith has said that these would have been the perfect pickups back in 1985 because they're hot enough to give you all of the gain tones you want but they clean up beautifully too. They offer crystal clean tones but without sounding harsh or spiky.
In the bridge it has high output with great articulation in the midrange. The neck pickup is a lower output level but works really well with crunch tones as well as smooth lead tones.
€899.00
€399.00 €599.00
Sold Out
The band Periphery has become a force to be reckoned with in the progressive metal scene thanks to their complex rhythms and soaring melodies. Guitarist Mark Holcomb helps achieve this full, lethal sound with his PRS guitars and signature Seymour Duncan Alpha and Omega pickups. PRS and Holcomb have worked closely together to develop a truly unique guitar for the SE Series lineup.
"With my SE signature model, we managed to capture all of the defining characteristics of my Maryland-made guitar and turn it into a streamlined, less-costly package. It is an incredibly special instrument, and one that is now the primary focus of my rig in the studio and onstage." - Mark Holcomb, Periphery
The SE Mark Holcomb model truly stands on its own in the PRS lineup and delivers addictive playability thanks to some unique specifications, including a 24-fret, 25.5” scale length wide thin satin maple neck with 20” radius ebony fretboard. Holcomb’s signature pickups provide the right amount of output and articulation whether you’re playing sophisticated chords or solos and whether you’re playing alone or working in the mix of a band. Other specifications include a quilted maple veneer, black chrome hardware, and a 3-way blade pickup switch with push/pull tone knob for coil splitting.
| Top Wood | Beveled Maple with Quilted Maple Veneer |
| Back Wood | Mahogany |
| Number of Frets | 24 |
| Scale Length | 25.5" |
| Neck Wood | 3-Piece Maple with Satin Finish |
| Neck Shape | Wide Thin |
| Fretboard Wood | Ebony with White Binding |
| Fretboard Inlay | Birds |
| Bridge | Plate Style |
| Tuners | PRS-Designed Tuners |
| Hardware Type | Black Chrome |
| Treble Pickup | Mark Holcomb Signature Seymour Duncan “Omega” |
| Bass Pickup | Mark Holcomb Signature Seymour Duncan “Alpha” |
| Controls | Volume and Push/Pull Tone Controls with 3-Way Blade Pickup Switch |
| Strings | 10-46 |
| Tuning | Ships Tuned to Drop C. Low to High: C, G, C, F, A, D. |
"This PRS SE is super playable, sleek, and has monstrous tone...we think this is one of the most exciting guitars so far this year! At the price, we also think it’s a fabulous value for the money.”
"The spec on offer here represents a high quality and, dare we say it, ‘posh’ metal guitar with a little bit extra under the hood thanks to the split-coil tones.”
€799.00 €899.00
€899.00
€899.00
"I’ve been with PRS for more than a decade. This is the best guitar I have ever played," – Zach Myers, Shinedown
The SE Zach Myers has enough features to satisfy even the most demanding musicians. The resonance of the semi-hollow body paired with the smooth feel of the satin finish neck will make an immediate impression in your hands. Featuring a chambered mahogany body with maple cap, flame maple veneer, and single f-hole, the SE Zach Myers provides smooth mid-range tones with a natural, resonant internal reverb. The 22-fret, 24.5” scale length wide fat neck boasts a satin finish that gives the guitar a very comfortable, woody, worn-in feel. Additional appointments to the PRS SE Zach Myers signature model include a PRS adjustable stoptail bridge, vintage-style tuners, and 245 "S" pickups paired with two volume and two tone controls and a 3-way toggle pickup switch.
Zach Myers, lead guitarist of the multi-platinum rock band Shinedown, picked up a PRS Custom 22 at the age of fifteen and announced his first SE signature model in 2010. As a guitarist who has rocked PRS on the stage and teched for several PRS bands, Myers has an intimate understanding of how a guitar should feel and what the build quality should be.
| Top Wood | Beveled Maple Top with Flame Maple Veneer |
| Back Wood | Mahogany |
| Body Contruction | Semi-Hollow with Single F-Hole |
| Number of Frets | 22 |
| Scale Length | 24.5" |
| Neck Wood | Mahogany (with Satin Finish) |
| Neck Shape | Wide Fat |
| Fretboard Wood | Rosewood |
| Fretboard Inlay | Birds |
| Bridge | PRS Adjustable Stoptail |
| Tuners | Vintage Style Tuners |
| Hardware Type | Nickel |
| Treble Pickup | 245 "S" Treble |
| Bass Pickup | 245 "S" Bass |
| Controls | Volume and Tone Controls for each Pickup with 3-Way Toggle Pickup Switch on Upper Bout |
€2,299.00 €2,949.00
| Body Wood | Alder |
| Number of Frets | 22 | ||
| Scale Length | 25.5" | ||
| Neck Wood | Maple | ||
| Neck Shape | 635JM | ||
| Neck Depth At The Nut |
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| Fretboard Wood | Rosewood | ||
| Fretboard Inlay | Small Birds | ||
| Fretboard Radius | 7.25” | ||
| Nut | Bone |
| Bridge | Steel Tremolo |
| Tuners | Vintage Style, Locking |
| Hardware Type | Nickel |
| Treble Pickup | 635JM |
| Middle Pickup | 635JM |
| Bass Pickup | 635JM |
| Controls | One Volume & Two Tones with a 5-Way Blade Pickup Switch |
| String Spacing | 2 9/64” |
€2,299.00 €2,949.00
“It’s been a dream of mine for years to design a guitar that includes some of my favorite vintage specifications but with a modern spirit and aesthetic. After two years of study and refinement, the Silver Sky is my vision of what a reboot of the electric guitar should look and feel like.” – John Mayer
The PRS Silver Sky is the result of a close collaboration between Grammy Award-winning musician John Mayer and Paul Reed Smith. More than two and half years in the making, the Silver Sky is a vintage-inspired instrument that is at once familiar but also newly PRS through and through. This model was based off of Mayer and Smith’s favorite elements from 1963 and 1964 vintage instruments, resulting in an idealized version of a vintage single-coil guitar. The attention that was paid to every detail sets this guitar apart.
Some of the more distinctive specifications include, the headstock shape, tuners, neck and fretboard, bridge, and pickups and electronics. The headstock shape is based on PRS’s trademark design, but inverted to both accommodate Mayer’s playing style and also to keep a consistent length of string behind the nut, which makes staying in tune easier. The tuners are a traditional vintage-style, closed-back tuner, but with PRS’s locking design. The neck shape was modeled after 1963/1964 vintage instruments, and the fretboard has a 7.25” radius. The moment your hand grabs this neck, it just feels right. Like the tuners, the steel tremolo takes a classic design and incorporates PRS’s trem arm and Gen III knife-edge screws. The bridge on the Silver Sky is setup flush to the body in the neutral position so that the tremolo bridge only goes down in pitch. By keeping the bridge in contact with the body, the guitar itself is acoustically louder, which improves the signal to noise ratio of the single-coil pickups. The 635JM single-coil pickups are very round and full, with a musical high end that is never “ice-picky” or brash.
Other high-quality specifications include a bone nut, a molded metal jack plate that is curved and makes plugging and unplugging a guitar cable hassle-free, retooled knobs, fretwire that is slightly smaller than what you’d find on most PRS electric guitars, and PRS’s double action truss rod (accessible from the front of the headstock for ease of use).
| Body Wood | Alder |
| Number of Frets | 22 | ||
| Scale Length | 25.5" | ||
| Neck Wood | Maple | ||
| Neck Shape | 635JM | ||
| Neck Depth At The Nut |
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| Fretboard Wood | Rosewood | ||
| Fretboard Inlay | Small Birds | ||
| Fretboard Radius | 7.25” | ||
| Nut | Bone |
| Bridge | Steel Tremolo |
| Tuners | Vintage Style, Locking |
| Hardware Type | Nickel |
| Treble Pickup | 635JM |
| Middle Pickup | 635JM |
| Bass Pickup | 635JM |
| Controls | One Volume & Two Tones with a 5-Way Blade Pickup Switch |
| String Spacing | 2 9/64” |
Sold Out €2,949.00
| Body Wood | Alder |
| Number of Frets | 22 | ||
| Scale Length | 25.5" | ||
| Neck Wood | Maple | ||
| Neck Shape | 635JM | ||
| Neck Depth At The Nut |
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| Fretboard Wood | Rosewood | ||
| Fretboard Inlay | Small Birds | ||
| Fretboard Radius | 7.25” | ||
| Nut | Bone |
| Bridge | Steel Tremolo |
| Tuners | Vintage Style, Locking |
| Hardware Type | Nickel |
| Treble Pickup | 635JM |
| Middle Pickup | 635JM |
| Bass Pickup | 635JM |
| Controls | One Volume & Two Tones with a 5-Way Blade Pickup Switch |
| String Spacing | 2 9/64” |
€2,549.00 €2,949.00
| Body Wood | Alder |
| Number of Frets | 22 | ||
| Scale Length | 25.5" | ||
| Neck Wood | Maple | ||
| Neck Shape | 635JM | ||
| Neck Depth At The Nut |
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| Fretboard Wood | Rosewood | ||
| Fretboard Inlay | Small Birds | ||
| Fretboard Radius | 7.25” | ||
| Nut | Bone |
| Bridge | Steel Tremolo |
| Tuners | Vintage Style, Locking |
| Hardware Type | Nickel |
| Treble Pickup | 635JM |
| Middle Pickup | 635JM |
| Bass Pickup | 635JM |
| Controls | One Volume & Two Tones with a 5-Way Blade Pickup Switch |
| String Spacing | 2 9/64” |
Sold Out
The SE Zach Myers has enough features to satisfy even the most demanding musicians. The resonance of the semi-hollow body paired with the smooth feel of the satin finish neck will make an immediate impression in your hands.
"I’ve been with PRS for 12 years. This is the best guitar I have ever played," – Zach Myers, Shinedown
Zach Myers, lead guitarist of the multi-platinum rock band Shinedown, picked up a PRS Custom 22 at the age of fifteen and announced his first SE signature model in 2010. As a guitarist who has rocked PRS on the stage and teched for several PRS bands, Myers has an intimate understanding of how a guitar should feel and what the build quality should be.
The 2017 SE Zach Myers features a chambered mahogany body with maple cap, flame maple veneer and single f-hole that provides smooth mid-range tones with a natural, resonant internal reverb. The 22-fret 24.5” scale length wide fat neck boasts a satin finish that gives the guitar a very comfortable, woody, worn-in feel. Additional appointments to the SE Zach Myers signature model include PRS adjustable stoptail bridge, vintage style tuners, and PRS SE 245 pickups paired with two volume and two tone controls and a 3-way toggle pickup switch.
| Top Wood | Beveled Maple Top with Flame Maple Veneer |
| Back Wood | Mahogany |
| Body Contruction | Semi-Hollow with Single F-Hole |
| Number of Frets | 22 |
| Scale Length | 24.5" |
| Neck Wood | Mahogany (with Satin Finish) |
| Neck Shape | Wide Fat |
| Fretboard Wood | Rosewood |
| Fretboard Inlay | Birds |
| Bridge | PRS Adjustable Stoptail |
| Tuners | Vintage Style Tuners |
| Hardware Type | Nickel |
| Treble Pickup | SE 245 Treble |
| Bass Pickup | SE 245 Bass |
| Controls | Volume and Tone Controls for each Pickup with 3-Way Toggle Pickup Switch on Upper Bout |
"The PRS SE Zach Myers is a well-realized and well-built instrument that, quite honestly, can stand toe-to-toe with semi-hollows that cost four times its price. But beyond its obvious hard-rock pedigree, it’s a very versatile instrument that can handle most any genre of music. In fact, the SE Zach Myers is a top-notch axe capable of so much that it almost seems criminally underpriced."
- Premier Guitar
€1,995.00
Careful acoustic research has resulted in the full, rich and warm sound of this popular model. Two single coil pickups on a full size body are accented by a traditionally shaped sound hole. The 24 fret Rosewood fingerboard is punctuated by dot inlay fret markers, with full double cutaways permitting access to all the frets. Standard output is monaural through a single jack plate. Also available with an additional pickup (Model 340) and as twelve string versions with either 2 or 3 pickups (Model 330/12 and Model 340/12 respectively).
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This is a handmade guitar made by dutch guitar manufacturer Robbert's Guitars.
Link to website: http://guitars.nl/
€65.00
€189.00
Description
The Dual Band Metalloid brings parallel path processing and recording studio-mixing quality to our range of distortion pedals. It is in fact two separate distortion sections that are driven by internal splitter circuitry and then mixed back together. The Low and High Band distortion circuits have been carefully optimised to now give much improved individual control of the range of notes used. The range of sounds available is truly immense as varying amounts of Distortion and EQ can be applied to each band and then mixed together. This is a technique we used in the studio with Jimi to get the required tone. Using various pedals in series or equalisation will not accomplish this as processing is applied to the whole frequency range. This is a much more sophisticated processing technique that brings welcome control to live performance situations where two guitar sounds are seamlessly required and pedal stomping is not a musical or performance option. The Low Band sound controlling bass string riffs and the High Band sound set for solo work as you progress up the neck. It is has been designed not just for Hard Rock or Heavy Metal but is equally at home for Finger Pickin Slide Blues, Rebel Country Styles and Resonator guitars all which require different tones for the bass strings and solo riffs.
Synergy Series
The Synergy Series brings parallel path processing and recording studio-mixing quality to our range of distortion pedals. Each pedal has two separate distortion sections that are driven by internal splitter circuitry and then mixed back together. The Low and High Band circuit paths have been carefully chosen from our extensive range of tried and critically acclaimed distortion, fuzz and overdrive circuits. It is best visualised as two separate channels with individual control of the important parameters and then mixed together to form one sound.
The Low and High Band circuit path channels have individual Drive and EQ controls that been optimised for the type of circuit being used. The resulting range of sounds available is truly immense as varying amounts and types of Processing and EQ can be applied to each channel or band and then mixed together. This is a technique we used in the studio with Jimi to get the required tone. Using various pedals in series or equalisation will not accomplish this as processing is then applied sequentially and to the whole frequency range. The advantages of this technique become immediately apparent upon playing the units. The amount of flexibility in adjusting the tone is truly immense and these boxes will appeal to those players that seek out and appreciate the subtleties of manipulating their tone to the highest level.
It should not also be forgotten that there is a financial saving as well as in fact you are getting two pedals for one plus a splitter and mixer for about 120% of the price of one of our single units. You also have a space saving on your pedal board with a very flexible unit that will produce more tonal variation that you can imagine.
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History A lot of people have requested me to make new unique dual purpose guitar pedal with clean sustain and overdrive that can be used with chords. I am proud to announce the Voodoo-Blues a revolutionary new design which can be set to provide both overdrive and clean boost. I have over the years repeatedly refused to make an updated copy or clone of the Tube Screamer because I personally was never happy with its nasal tone and lack of detail and dynamics. A new innovative design approach was needed to make a unique product that would be a significant improvement. The Voodoo-Blues is the result. A unique new guitar effects pedal that uses a completely different circuit to produce a set of very musical overtones with feed forward compression as it slips into overdrive. The full dynamics and detail of the guitars tone are faithfully preserved and the unit cleans up perfectly with the guitar Volume control. I urge you to compare the Voodoo-Blues with any type of overdrive pedal for you to "experience the difference" and not agree that it does its job beautifully and gives the discerning player an alternative for those who demand this type of overdrive. Our "Forward Ever - Backward Never" approach to effects design has fuelled our success since 1964 and has enabled us to move the goal posts forwards again setting new benchmark standards. The output level is high enough to drive the 1st Stage of Tube Amplifiers into distortion if required and the Fatness control does what it says and is not just a simple EQ section. It has all the usual features of our Voodoo-Series pedals and is a welcome addition to the range. Don't imagine that it can only be used for Blues as its characteristics lend itself very well to Rock and Country as well. The Voodoo-Blues is housed in the new style enclosure with both dual direct drive buffered outputs or hard wire output and has provision for an internal 9-Volt Battery (battery life 150Hrs) or can be powered from a 9-Volt DC Power Adapter (not supplied). Extensive internal filtering ensures that noise free operation is maintained even with the most basic of adapters. The dual direct drive outputs that are capable of driving very long leads without any loss and in fact you can use a speaker lead for the outputs if you want without any hum. This direct drive true bypass feature is standard on all our voodoo series and in effect reduces the output lead length to zero. This results in greater detail and fidelity than using two long lengths of guitar leads in traditional hard wire bypass set-ups. The problem of cable noise induced by vibration on stage is eliminated together with electrical magnetic interference induced into shielded cables from lighting rigs etc. Possibly of more importance there is no tone sucking at all from the output length of guitar cable. After all the ultimate guitar cable would have a lead length of zero, and guitar players can detect the difference between long and short cables easily. The overall signal quality in the unit is thus guaranteed right up to amplifier and this overall performance exceeds any other method in use today. When using a Voodoo Boost as the last device in a signal chain the distance to the amp does not come into consideration and long leads can be used successfully in recording situations e.g.: playing in the control room. Voodoo - Blues Features MULTI-MODE OUTPUTS with HARD WIRE BYPASS or TWO BUFFERED OUTPUTS The Voodoo-Blues has three outputs, a true hard wire output plus two buffered outputs that can drive long cable lengths with no high frequency loss. These two buffered outputs are identical and are disconnected when the hard wire output is being used. This means that you have a choice for all possible performance or equipment situations whether you feel a true hard wire output or buffered outputs will perform best. In general the low output impedance of the buffer gives a lower noise floor and a more punchy sound but now it's so easy to hear the difference and make a real decision that is based on fact not hype. LED : An LED shows the status of the effect. The LED also shows a low battery condition and will fail to light in either status thus showing that battery replacement is required. RAPID BATTERY CHANGE : No more screws to loose!.. Slide the front panel back and there is the battery. It could not be simpler or faster. See picture below. LONG BATTERY LIFE : Exceptionally low current consumption: Bypass Mode=1.18mA. Effect Mode=1.50mA ensures an expected battery life of more than 150Hrs with alkaline type batteries. EXTERNAL POWER ADAPTER / SUPPLY : An external AC adapter (not supplied) can be used and access is through a standard DC power jack ( 2.1mm centre pin ) situated next to the jack sockets. Internal onboard filtering ensures that optimum low noise performance is maintained and diode protection provides peace of mind in case of polarity setting mistakes. Connection protocol:It uses the standard negative centre pin connection protocol used by many leading manufacturers. Specifications: 9 volt DC. Regulated output is recommended. Current rating: 50mA or more. ERGONOMIC DESIGN / PEDAL BOARD FRIENDLY : The position of the jack sockets and DC power jack are all on the same side of the enclosure and face away from you thus enabling the effect to be optimally positioned in pedal board set-ups. DIMENSIONS: Width 170 x Depth 112 x Height 57mm. Weight : 618g with battery. |
€519.00
Just as the CUBE guitar-amp family received an XL upgrade, now it’s time for the CUBE BASS line to reach XL status. The new CUBE XL BASS amplifiers remain portable and travel friendly, a CUBE tradition, but they benefit from new-generation XL performance enhancements. These new amps deliver a knock-out punch with custom FFP and COSM technology. FFP is one of Roland’s core technologies in which each component — amp, cabinet, and speaker — achieves maximum efficiency and performance for incredible power from a compact body.
CUBE-120XL BASS, the flagship of CUBE bass-amp family delivers 120 pumpin’ watts of power through its 12-inch-high-performance coaxial speaker. This amp will punch its way through any mix, and affords players plenty of flexibility onstage. Create a universe of instantly selectable tones with eight COSM amp models, including the new SUPER LOW, plus 4-band EQ, wicked effects, and Looper — a world’s first for bass amps!
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