A lot of people have requested me to make new unique dual purpose guitar pedal with clean sustain and overdrive that can be used with chords. I am proud to announce the Voodoo-Blues a revolutionary new design which can be set to provide both overdrive and clean boost.
I have over the years repeatedly refused to make an updated copy or clone of the Tube Screamer because I personally was never happy with its nasal tone and lack of detail and dynamics. A new innovative design approach was needed to make a unique product that would be a significant improvement. The Voodoo-Blues is the result. A unique new guitar effects pedal that uses a completely different circuit to produce a set of very musical overtones with feed forward compression as it slips into overdrive. The full dynamics and detail of the guitars tone are faithfully preserved and the unit cleans up perfectly with the guitar Volume control.
I urge you to compare the Voodoo-Blues with any type of overdrive pedal for you to "experience the difference" and not agree that it does its job beautifully and gives the discerning player an alternative for those who demand this type of overdrive. Our "Forward Ever - Backward Never" approach to effects design has fuelled our success since 1964 and has enabled us to move the goal posts forwards again setting new benchmark standards.
The output level is high enough to drive the 1st Stage of Tube Amplifiers into distortion if required and the Fatness control does what it says and is not just a simple EQ section.
It has all the usual features of our Voodoo-Series pedals and is a welcome addition to the range.
Don't imagine that it can only be used for Blues as its characteristics lend itself very well to Rock and Country as well.
The Voodoo-Blues is housed in the new style enclosure with both dual direct drive buffered outputs or hard wire output and has provision for an internal 9-Volt Battery (battery life 150Hrs) or can be powered from a 9-Volt DC Power Adapter (not supplied). Extensive internal filtering ensures that noise free operation is maintained even with the most basic of adapters. The dual direct drive outputs that are capable of driving very long leads without any loss and in fact you can use a speaker lead for the outputs if you want without any hum. This direct drive true bypass feature is standard on all our voodoo series and in effect reduces the output lead length to zero. This results in greater detail and fidelity than using two long lengths of guitar leads in traditional hard wire bypass set-ups. The problem of cable noise induced by vibration on stage is eliminated together with electrical magnetic interference induced into shielded cables from lighting rigs etc. Possibly of more importance there is no tone sucking at all from the output length of guitar cable. After all the ultimate guitar cable would have a lead length of zero, and guitar players can detect the difference between long and short cables easily. The overall signal quality in the unit is thus guaranteed right up to amplifier and this overall performance exceeds any other method in use today. When using a Voodoo Boost as the last device in a signal chain the distance to the amp does not come into consideration and long leads can be used successfully in recording situations e.g.: playing in the control room.
Voodoo - Blues Features
MULTI-MODE OUTPUTS with HARD WIRE BYPASS or TWO BUFFERED OUTPUTS
The Voodoo-Blues has three outputs, a true hard wire output plus two buffered outputs that can drive long cable lengths with no high frequency loss. These two buffered outputs are identical and are disconnected when the hard wire output is being used. This means that you have a choice for all possible performance or equipment situations whether you feel a true hard wire output or buffered outputs will perform best. In general the low output impedance of the buffer gives a lower noise floor and a more punchy sound but now it's so easy to hear the difference and make a real decision that is based on fact not hype.
LED : An LED shows the status of the effect. The LED also shows a low battery condition and will fail to light in either status thus showing that battery replacement is required.
RAPID BATTERY CHANGE : No more screws to loose!.. Slide the front panel back and there is the battery. It could not be simpler or faster. See picture below.
LONG BATTERY LIFE : Exceptionally low current consumption: Bypass Mode=1.18mA. Effect Mode=1.50mA ensures an expected battery life of more than 150Hrs with alkaline type batteries.
EXTERNAL POWER ADAPTER / SUPPLY : An external AC adapter (not supplied) can be used and access is through a standard DC power jack ( 2.1mm centre pin ) situated next to the jack sockets. Internal onboard filtering ensures that optimum low noise performance is maintained and diode protection provides peace of mind in case of polarity setting mistakes.
Connection protocol:It uses the standard negative centre pin connection protocol used by many leading manufacturers.
Specifications: 9 volt DC. Regulated output is recommended.
Current rating: 50mA or more.
ERGONOMIC DESIGN / PEDAL BOARD FRIENDLY : The position of the jack sockets and DC power jack are all on the same side of the enclosure and face away from you thus enabling the effect to be optimally positioned in pedal board set-ups.
DIMENSIONS: Width 170 x Depth 112 x Height 57mm. Weight : 618g with battery.
The Filter Twin® uses two identical filters sweeping in opposite directions - one up in frequency, one down in frequency - to give classic 70's-inspired funk sounds or completely new and original filter tones. Two filters sweeping at the same time give you a more organic, vocal quality and allow you to get expressive new sounds that you can't get from other pedals.
The Filter Twin® offers unique filter effects via an intuitive four-knob layout. The blend control allows you to adjust the mix between the filters. The threshold control determines how sensitive the unit is to different playing styles. The velocity controls determine the speed of each filter.
The HT-REVERB can take you from your room to an arena via hall, plate, spring, gate and reverse reverb effects. Valve compression and harmonics are added using the Dwell control, and you can switch the reverb time from short to long while you are playing.