The Filter Twin® uses two identical filters sweeping in opposite directions - one up in frequency, one down in frequency - to give classic 70's-inspired funk sounds or completely new and original filter tones. Two filters sweeping at the same time give you a more organic, vocal quality and allow you to get expressive new sounds that you can't get from other pedals.
The Filter Twin® offers unique filter effects via an intuitive four-knob layout. The blend control allows you to adjust the mix between the filters. The threshold control determines how sensitive the unit is to different playing styles. The velocity controls determine the speed of each filter.
The HT-REVERB can take you from your room to an arena via hall, plate, spring, gate and reverse reverb effects. Valve compression and harmonics are added using the Dwell control, and you can switch the reverb time from short to long while you are playing.
The BOSS OC-3 Super Octave gives guitarists high-quality octave effects with a single stomp. Three modes are provided, including a new Polyphonic Octave mode, a Drive mode with distortion, and the original OC-2 mode. The versatile OC-3 also has separate inputs for both guitar and bass.
The BOSS PH-3 Phase Shifter pedal provides a wealth of vintage and modern phasing effects, including new "Rise" and "Fall" modes for unique, unidirectional phasing. Syncing these phasing effects is as simple as tapping the pedal to the desired tempo, while an optional expression pedal provides realtime control of the PH-3's Rate, Filter and Tempo.
The world’s top-selling stage tuner, the BOSS TU-2, evolves and improves with the debut of the new TU-3. Housed in a tank-tough BOSS stompbox body, the TU-3 features a smooth 21-segment LED meter with a High-Brightness mode that cuts through the harshest outdoor glare. Choose between Chromatic or Guitar/Bass tuning modes, and enjoy visual pinpoint tuning verification with the Accu-Pitch Sign function. The TU-3 incorporates a convenient Note Name Indicator that can display notes of 7-string guitars and 6-string basses, while the Flat-Tuning mode can support up to six half-steps. It’s the new-standard tuner that no guitarist or bass player should be without!
The Carl Martin Crush Zone is a vintage style, high-gain/distortion pedal using the same high quality components as its Carl Martin cousins. The Crush Zone provides everything from a slight edge to your tone to mind-blowing distortion. Adjust the cool chicken-head knobs for level and distortion, and then refine your sound using the tone control. Crush Zone is housed in a heavy die-cast case with 9-volt battery compartment and heavy-duty bypass switch.
The Carl Martin Rock Drive is a 9V-battery-powered pedal designed to emulate the sound of a hard driven tube amp, responsive to individual playing dynamics without altering the basic tone of the guitar.
The Attack (mid) and Edge (treble) controls give access to a variety of flavours within this type of distortion style, without compromising sonic quality.
The Carl Martin Rock Drive is capable of emulating tones from a smoking Twin to a beefed up JCM 800, without low-string mush or raspy highs.
The Carl Martin Rock Drive is true bypass and features an AC adapter jack.
Next up: “The Madfly”! The second stompbox I made and again a heavy duty son of a-you-know-who! Think old Black Sabbath, think Kyuss, think Fu Manchu and you will be thinking in the right direction. The “Madfly” will give you all the low-end fuzz/distortion you could ever wish for!
Whether it is outright Doom Metal or a more subtle Stoner sound you are looking for, look no further; “Mad Fly” has landed!
Blues, anyone? From Stevie Ray Vaughan’s super defined Stratocaster twang to Jeff Beck’s dramatic Gibson scream, guess what kind of stompboxes made those sounds? Well, let me tell you, if it wasn’t something extremely similar to the “More Gary” I’ll eat my record collection!
This box handles each “moody blues” mode with ease, from very subtle to a hard strum, it will give you the ability to control your tone with more range and texture.
The “More Gary” definitely longs to be combined with a nice little tube amp and with its exceptional controls it will give you endless tweaking possibilities.
The Mucho Boosto is a high compression medium gain overdrive pedal. The Tone control on the Mucho is much more active than that of the Sex Drive. There are 2 settings for "Thin" & "Fat" voicings. This pedal is great for players that desire a compressed overdriven sound.
*NOTE - The new smaller version of the Mucho Boosto has been modified from the old version. The new Mucho Boosto has 100% more Level than the old version, as well as 25% more Gain.
What is a Zia Drive? A very tight low compression overdrive pedal designed to be that perfect rhythm guitar box.
If you hate the feeling of sag in your fingers this is the box for you.
Early 70's Stones fans will love the ZIA!!
Modulation madness! All-analog multi-effects processor featuring Phaser, Tremolo, Vibrato, and a Neo-modulated Wah. At the heart of The Worm is a specially designed tone-bending engine that creates groundbreaking oscillatory effects.
This used Fostex MR-8 Multitrack Recorder comes with the Power Adapter, a 1GB CF Card, and a Manual.
This recorder is in good condition with normal wear, has been fully tested, and works great. Please see pictures for details on item condition.
The Fostex MR-8 is the first solid-state memory recorder in the industry that offers 8-tracks of recording on the very popular CompactFlash card media. The MR-8 comes with a very competitive price point, especially compared to the current digital 4-track memory recorders already on the market.
Fostex's design goal for the MR-8 was to create a digital multitrack recorder with unprecedented ease of operation for musicians who want digital recording and superb sound quality, but also offers the simplicity of their favorite old analog machine. Nearly all the functions of the MR-8 are on the physical knobs and buttons of the top panel. User frustration caused by having to flip through pages and pages of LCD menus, is not an issue with the MR-8.
While the MR-8 may be simple to operate, all the features and functions expected from digital recorders in today's market are present: on-board digital effects, guitar amp/microphone simulators, digital bouncing, auto punch in/punch out, etc. Communication with a PC is provided via the MR-8's standard built-in USB port making it easy for data editing, CD-burning, and file backup.
Fostex has broken the digital recorder price barrier with their new MR8. It's the world first 8-track that records into solid-state, Compact Flash Card memory and there's more! It's got a USB port for WAV file data transfer to a Windows PC for data editing, CD burning, and backup. And operating the MR8 is more intuitive than many other digital recorders it's ideal for users who have no experience in digital multi-track recording.
The Dual Vintage Overdrive is a full analog foot preamp suitable for every guitar player. As well beginners as advanced players or even professional musicians are searching for the New, the Best and the Unique tones of their guitars. Everybody will find not just one tone but tones of new tones – very special for themselves. More, the guitar player will be able to easily and quickly switch between 3 tone-presets: on 2 channels with individually adjusted overdrive and choose one mode from: SOLO, CLEAN or BYPASS.
It is recommended to connect DVO to power amplifier ( if the amp has effect loop then connect to RETURN connector). In this case the tone will depend on the amps PRESENCE control.
DVO preamp sounds very good with Celestion Vintage 30 speakers.
NOS Germanium transistor - a New Old Stock Germanium transistor with the correct parameters for gain, leakage current and frequency
Gain control - adjust the effect output volume
Continuous variable range control (T.M.F.) - dial in the amount of low end with a specific guitar type or pickup combination
Tone control - adjust the amount of treble for a specific amplifier
The PaulSwitch Jr.® - robust true bypass footswitch to switch effect on/off & to avoid tone sucking in bypass operation
External power supply - (noise reduced) providing the option to use an external power supply without inducing noise or changing the character of the sound.
Reverse and over voltage protection - to protect the sensitive germanium transistor and keeping the pedal running for many years to come
Radio Frequency Interference (RFI) suppression - avoiding radio signal reception when using high gain setting in combination with turning down guitar volume
Hartke revisits the traditional paper cone driver with the new AK series of bass cabinets. These cabs offer exceptionally warm tone, natural coloration and awesome power thanks to their custom crafted paper cone drivers and specially designed enclosures.
For super-aggressive heavy-rock distortion for that don't-mess-with-me attitude, the Ibanez Tone-Lok Series SM7 will deliver. Comes armed with obscene amounts of gain, tight low end, and searing highs. A void switch eliminates excessive string noise and feedback. An edge switch allows 2 different preamp flavors.
On the outside, Tone-Lok effects are equipped with the Ibanez exclusive "set and forget" Push-Lok rotary pots. Push the knobs down and your tone settings lock securely inside the case”no more lost settings or broken knobs.
On the inside, Tone-Lok guitar pedals feature hi-fidelity components carefully tweaked with the constant input from a new generation of Ibanez players. And all this great stuff comes encased in cool looking, road-tough metal boxes at prices the working player can afford.
The JOYO JF-17 Extreme Metal is a dark horse in the Joyo range.
With the combination of its three band eq and drive and level knobs you can get a wide variety of tones from heavy blues through hard rock to high gain metal. With the gain set at around 9 'o' clock using a bridge position humbucker you can get some excellent classic rock tones. Flick to the neck pickup and you get a thick, creamy sustain filled lead tone ideal for any heavy/rock blues lead playnig you'll be doing. With the right combination of EQ settings with the drive low you can even get some quite Santana-esque tones from this pedal.
Where this pedal is most at home is with the gain at 12 'o' clock or higher. At 12 'o' clock you get some brilliant hard rock tones reminiscent of Guns N' Roses, Metallica and Iron Maiden. Again using the 3 band EQ here will give you masses of variety. For a more 'metal' type sound why don't you try scooping the mids out slightly and adding a few more highs and lows.
Push the gain to 3 'o' clock and you get an all out metal onslaught. Make sure you scoop the mids and push the bass and highs and you'll be in metal heaven. Pinch Harmonics will fly off your guitar. A nice and tight low end heps keep any palm muted galloping riffs sounding crisp and clear. Throw your guitar into a drop tuning and chug away, this pedal stays tight no matter how low you go. Don't forget the divebombs if you have a tremolo equipped guitar.
The boost switch is best used on your neck pickup with the control between 9 'o' clock and 10 'o' clock. Kick this in at the start of your solo and it'll help increase your volume a little and add a nice bit of top end to really help you cut through the mix so everyone can hear those shredtastic solo's!!!
Housed in an Aluminium Alooy case the Extreme Metal is built to withstand everything you can throw at it gig after gig.
- Dual Wah Pedal Sounds
- True Wah Circuits
- Preset 2 gorgeous tones! Don't go searching!
- 3-way way bass-sweep switch! Mellow or Cutting, SRV, Hendrix, Clapton, all there!
- True Bypass
- Keeley Blue LED
Koch's tube-powered guitar preamp with classic vintage overdrive, OD Boost, and maximum functionality!
The 63'OD guitar preamp is as much at home in your rehearsal room as it is in the studio or on stage. Whether used as a stand-alone preamp, or in conjunction with your pedalboard, your guitar signal can be routed to any amplification device, recording or mixing console as well as to any monitor system you use.
The 63'OD has two independent channels (Clean & Overdrive) which share a 3 band EQ, plus a Boost switch for higher gain. The Clean channel is focused on clarity and full-frequency response to accurately reproduce your guitar's tone. The Overdrive channel fills in your clean tone with the thick tube-driven mids and saturation that made legends out of guitar slingers in the 60s and 70s. The Boost switch takes those great blues/rock tones to the next level for solos or just a heavier drive!
The Koch 63'OD also features both pre and post FX loops for adding tone shaping pedals before the pre-amp, and modulating pedals after the pre-amp. There is a 9VDC output that can power those additional pedals up to 200 mA, and is fully protected against short-circuiting. The remote control input can be used with midi switchers or other external switching devices. Finally, there is a balanced XLR DI output with line level signal, speaker-emulation and ground-lift for connection to recording or mixing consoles, and a 1/4" output with switch-able levels for connection to any type of amp or monitor. Both outputs can be used simultaneously.
The Koch 63'OD is the perfect tube powered preamp for rehearsal, recording, touring and fly-ins where you need to take 'your sound' with you. We use only the highest grade components for the best sound and reliability, plus we have housed the 63'OD in a heavy duty, yet light weight aluminum housing.
- One 12AX7 Preamp tube
- Tube operating Voltage 285VDC
- Clean Channel with Volume control
- Overdrive Channel with Gain and Volume controls
- Silent (clickless) switches for Clean/Overdrive and OD Boost
(with LED on/off Indicators)
- Shared 3-Band EQ section
- Non-buffered Pre-FX Loop
- Fully buffered Post-FX Loop
- Monitor Output with (OdbV) for Power Amp, (-10 dbV) to FX return
and (re-amp) to Clean Channel input
- Balanced XLR DI REC/PA Output with speaker-emulation
- Remote Control Input (for midi switcher or external switching)
- 12VAC power supply input (adaptor is included)
- 9VDC/200mA power supply output
- Dimensions: 13.2 cm w x 20.5 cm d x 6.4 cm h
- Weight 1.2 kg
Give your favorite tone a major squeeze with the new ToneCore® Constrictor™. Choose from three versatile compressor models including Compact, Squeeze, and Mellow all based on classic analog compressors from the ?60s, ?70s and ?80s.
If you like warm, full-bodied overdrive, Crunchtone™ features three juicy models: Blues, Pop and Crunch. Based on Line 6?s arsenal of power tube overdrive models, Crunchtone also give you a simple yet versatile tone control for easy tweaking, and a built-in Noise Gate.
Burn down the house with the new ToneCore® Liqua-Flange™. Liqua-Flange has selectable Digital, Liquid, and Analog models all with pass through zero settings that will make your guitar sound like it's coming down from the sky. This pedal sized miracle delivers classic studio flange sounds and some that haven't ever been heard. don't wait, start your journey to flanged enlightenment now!
Supercharge your pedal board with a single stompbox! M5 Stompbox Modeler delivers 100+ incredible effects, one at a time – just like the originals. Get gain-defying distortions, lush choruses, scintillating reverbs and other expressive effects in a single-pedal-size stompbox. Step through your favorite 24 presets on the fly.
Owning an M5 Stompbox Modeler is like having a garage filled with half a century’s worth of modern and vintage effects. From the classic and timeless to the bold and esoteric, M5 has got you covered. This instant stockpile is robust, easily switchable and well known – it’s the same effect line-up as M9® and M13® Stompbox Modelers, and even includes the famous green DL4™ Delay Modeler. Dedicate one space on your pedal board to be whatever effect you need in the moment.
Add an expression pedal to open up endless sonic possibilities. Control up to five parameters per effect. Now you can dedicate one space on your board to be anything you want it to be.
Save up to 24 customized effects as presets for easy access while playing. Scroll through your presets on the fly with your foot. M5 Stompbox Modeler is stompbox simple. There are no menus, saving or hassles. Tweak your tones using the dedicated knobs. When you power down your settings remain, just like a classic stompbox.
M5 costs less than a good, single effect pedal and delivers many times the firepower. It's stocked with an accurate tuner and plenty of inputs and outputs to integrate seamlessly into your pedal board, MIDI setup and your live, studio and rehearsal scenarios.
Tough as nails, easy to use and ready to go, toss M5 Stompbox Modeler into your gig bag to take advantage of the single pedal stompbox solution. Save the world one effect at a time.
Get your hands on tones that are truly orbital with the Space Chorus™ pedal. Space Chorus features three models all based on vintage and modern analog effects: Chorus, Tri, and Vibrato. Tweak your sound with adjustable speed, shape, and depth. Space Chorus also features stereo ins and outs and Tap Tempo to keep your luscious swirling tone in time.
The ToneCore® Tap Tremolo™ pedal gives you pulsating tremolo just like you've always wanted. Using the Tap Tempo feature, along with adjustable dynamic speed control, peak setting, depth, and shape, your tone will chop, slice, and dice like no other. You can choose from three pulse-pounding models: Opto Tremolo, Bias Tremolo, or Stereo Panning.
Über Metal™ brings you massive amounts of gain in one tiny, tough package. You can chose from some of the best Line 6 high-gain tones from HD147® and Vetta II™ including Metal, Pulverize, and Insane. Also included with the Über Metal is a built-in selectable noise gate, and scoop control for massive tonal contouring.
Mad Professor Stone Grey Distortion
Finland’s Mad Professor has always found favor with front-line tone obsessives like Marc Ford and Pete Anderson by building more than simple clones. Instead of following trends, the company has built pedals that capitalized on subtle differences and less-explored formulas—particularly in the realm of overdrive.
The Stone Grey Distortion is unique in that it has razor sharp dynamics and high gain intensity. It's ready for drop tuning, 7 string, and modern rock players who are seeking extreme gain with intense "string to string definition".
The FLUX-DRIVE™ is the overdrive pedal for those who want more of all the best things from an overdrive! It has more liquid gain and enhanced sustain that easily feeds into rich harmonic overtones making it incredibly addictive and inspiring to play, whether into a clean amp channel or especially to enhance a crunch or higher gain channel! It also offers a more complete tone-shaping network with individual Treble and Bass controls. This architecture makes the FLUX-DRIVE a more complete preamp with added versatility beyond that of most overdrive pedals.
Overview The GRID SLAMMER™ overdrive pedal produces a variable boost in gain over a wide range with a classic, guitar-centric midrange bump that enhances many different playing styles. It’s a true overdrive “specialist” that covers an amazing array of what many top players consider the most expressive and musical ranges of overdrive. From sweet, subtle breakup to a harmonically smoldering overdrive that can both sting and sing, the GRID SLAMMER sets a new bar in legendary overdrive!
The TONE-BURST™ Boost/Overdrive offers a virtually transparent gain range usually associated with “clean” boost pedals. However, the TONE-BURST has enough gain to boost your guitar to the threshold of clip and slightly beyond, making it far more useful for a variety of applications. It’s incredibly powerful for adding boost, drive and/or EQ to any guitar and amp combination. Whether using it as a utility to boost the output of single coils to match a humbucker or as a subtle overdrive when a standard overdrive may be too much, the TONE-BURST is an incredibly useful and expressive pedal that makes the best things sound even better!
The M288 Bass Octave Deluxe is a dual-voice octave pedal that offers analog tone, true bypass, and a variety of tonal options. MXR's 18 volt Constant Headroom Technology™ provides high headroom and superior tracking. Use the Dry knob to mix in your direct signal, and hit the Mid+ switch to add up to +14dB of internally adjustable mid frequencies (400Hz or 850Hz). Finally, mix in two separately controlled octave voices—Growl (for throaty tone) and Girth (for deep tone).
The MC402 Boost/Overdrive offers the combination of a simple dynamic overdrive and an independent clean boost circuit—all in one compact pedal. The overdrive section is truly "classic", adding warmth, sustain and punch, without coloring your sound. It can go from a bluesy, slightly overdriven sound to full-metal crunch with a twist of the gain knob. The MC402 also cleans up nicely when you roll back your guitar volume, making it extremely touch sensitive and responsive to picking dynamics, without becoming thin sounding. The boost circuit alone is a bonus, as it is the exact same circuit CAE has used for years to solve a wide variety of signal conditioning problems in major guitar systems. The MC402's high quality components provide quiet operation and trouble-free interaction with other pedals on your board. In keeping with the CAE tradition, the design is simple and straight forward, with a minimum of controls—only what is necessary to do the job.
From the MXR Custom Shop, the Variphase is a killer twist on the classic Phase 90. Variable speed control is operated by your foot, adding a shimmery velocity to lead passages or a more dramatic swoosh to muted strumming. Vary the speed from a subtle, long cycle to a fast, watery warble, and everything in between! On/off switch, volume, and mix controls
The Dual Band Metalloid brings parallel path processing and recording studio-mixing quality to our range of distortion pedals. It is in fact two separate distortion sections that are driven by internal splitter circuitry and then mixed back together. The Low and High Band distortion circuits have been carefully optimised to now give much improved individual control of the range of notes used. The range of sounds available is truly immense as varying amounts of Distortion and EQ can be applied to each band and then mixed together. This is a technique we used in the studio with Jimi to get the required tone. Using various pedals in series or equalisation will not accomplish this as processing is applied to the whole frequency range. This is a much more sophisticated processing technique that brings welcome control to live performance situations where two guitar sounds are seamlessly required and pedal stomping is not a musical or performance option. The Low Band sound controlling bass string riffs and the High Band sound set for solo work as you progress up the neck. It is has been designed not just for Hard Rock or Heavy Metal but is equally at home for Finger Pickin Slide Blues, Rebel Country Styles and Resonator guitars all which require different tones for the bass strings and solo riffs.
The Synergy Series brings parallel path processing and recording studio-mixing quality to our range of distortion pedals. Each pedal has two separate distortion sections that are driven by internal splitter circuitry and then mixed back together. The Low and High Band circuit paths have been carefully chosen from our extensive range of tried and critically acclaimed distortion, fuzz and overdrive circuits. It is best visualised as two separate channels with individual control of the important parameters and then mixed together to form one sound.
The Low and High Band circuit path channels have individual Drive and EQ controls that been optimised for the type of circuit being used. The resulting range of sounds available is truly immense as varying amounts and types of Processing and EQ can be applied to each channel or band and then mixed together. This is a technique we used in the studio with Jimi to get the required tone. Using various pedals in series or equalisation will not accomplish this as processing is then applied sequentially and to the whole frequency range. The advantages of this technique become immediately apparent upon playing the units. The amount of flexibility in adjusting the tone is truly immense and these boxes will appeal to those players that seek out and appreciate the subtleties of manipulating their tone to the highest level.
It should not also be forgotten that there is a financial saving as well as in fact you are getting two pedals for one plus a splitter and mixer for about 120% of the price of one of our single units. You also have a space saving on your pedal board with a very flexible unit that will produce more tonal variation that you can imagine.
A lot of people have requested me to make new unique dual purpose guitar pedal with clean sustain and overdrive that can be used with chords. I am proud to announce the Voodoo-Blues a revolutionary new design which can be set to provide both overdrive and clean boost.
I have over the years repeatedly refused to make an updated copy or clone of the Tube Screamer because I personally was never happy with its nasal tone and lack of detail and dynamics. A new innovative design approach was needed to make a unique product that would be a significant improvement. The Voodoo-Blues is the result. A unique new guitar effects pedal that uses a completely different circuit to produce a set of very musical overtones with feed forward compression as it slips into overdrive. The full dynamics and detail of the guitars tone are faithfully preserved and the unit cleans up perfectly with the guitar Volume control.
I urge you to compare the Voodoo-Blues with any type of overdrive pedal for you to "experience the difference" and not agree that it does its job beautifully and gives the discerning player an alternative for those who demand this type of overdrive. Our "Forward Ever - Backward Never" approach to effects design has fuelled our success since 1964 and has enabled us to move the goal posts forwards again setting new benchmark standards.
The output level is high enough to drive the 1st Stage of Tube Amplifiers into distortion if required and the Fatness control does what it says and is not just a simple EQ section.
It has all the usual features of our Voodoo-Series pedals and is a welcome addition to the range.
Don't imagine that it can only be used for Blues as its characteristics lend itself very well to Rock and Country as well.
The Voodoo-Blues is housed in the new style enclosure with both dual direct drive buffered outputs or hard wire output and has provision for an internal 9-Volt Battery (battery life 150Hrs) or can be powered from a 9-Volt DC Power Adapter (not supplied). Extensive internal filtering ensures that noise free operation is maintained even with the most basic of adapters. The dual direct drive outputs that are capable of driving very long leads without any loss and in fact you can use a speaker lead for the outputs if you want without any hum. This direct drive true bypass feature is standard on all our voodoo series and in effect reduces the output lead length to zero. This results in greater detail and fidelity than using two long lengths of guitar leads in traditional hard wire bypass set-ups. The problem of cable noise induced by vibration on stage is eliminated together with electrical magnetic interference induced into shielded cables from lighting rigs etc. Possibly of more importance there is no tone sucking at all from the output length of guitar cable. After all the ultimate guitar cable would have a lead length of zero, and guitar players can detect the difference between long and short cables easily. The overall signal quality in the unit is thus guaranteed right up to amplifier and this overall performance exceeds any other method in use today. When using a Voodoo Boost as the last device in a signal chain the distance to the amp does not come into consideration and long leads can be used successfully in recording situations e.g.: playing in the control room.
Voodoo - Blues Features
MULTI-MODE OUTPUTS with HARD WIRE BYPASS or TWO BUFFERED OUTPUTS
The Voodoo-Blues has three outputs, a true hard wire output plus two buffered outputs that can drive long cable lengths with no high frequency loss. These two buffered outputs are identical and are disconnected when the hard wire output is being used. This means that you have a choice for all possible performance or equipment situations whether you feel a true hard wire output or buffered outputs will perform best. In general the low output impedance of the buffer gives a lower noise floor and a more punchy sound but now it's so easy to hear the difference and make a real decision that is based on fact not hype.
LED : An LED shows the status of the effect. The LED also shows a low battery condition and will fail to light in either status thus showing that battery replacement is required.
RAPID BATTERY CHANGE : No more screws to loose!.. Slide the front panel back and there is the battery. It could not be simpler or faster. See picture below.
LONG BATTERY LIFE : Exceptionally low current consumption: Bypass Mode=1.18mA. Effect Mode=1.50mA ensures an expected battery life of more than 150Hrs with alkaline type batteries.
EXTERNAL POWER ADAPTER / SUPPLY : An external AC adapter (not supplied) can be used and access is through a standard DC power jack ( 2.1mm centre pin ) situated next to the jack sockets. Internal onboard filtering ensures that optimum low noise performance is maintained and diode protection provides peace of mind in case of polarity setting mistakes.
Connection protocol:It uses the standard negative centre pin connection protocol used by many leading manufacturers.
Specifications: 9 volt DC. Regulated output is recommended.
Current rating: 50mA or more.
ERGONOMIC DESIGN / PEDAL BOARD FRIENDLY : The position of the jack sockets and DC power jack are all on the same side of the enclosure and face away from you thus enabling the effect to be optimally positioned in pedal board set-ups.
DIMENSIONS: Width 170 x Depth 112 x Height 57mm. Weight : 618g with battery.
Jimi Hendrix might be called the father of effect pedals, with his innovative use of distortion pedals, wah-wahs, vibes and phase shifters. So it’s no surprise that the legendary guitarist was one of the earliest to experiment with an octave divider. The T-Rex Octavius is our take on this unusual and powerful effect. A tri-tone generator with a perfect set of controls and a brilliant BOOST function, Octavius gives you everything you could want in octave generation – plus incredible T-Rex tone
Octavius lets you get that classic octave-down effect you’ll recognise from Hendrix’ “Machine Gun” and other recordings. But it also lets you add in a high octave so you can hit your audiences with a sonic wall of three-octave lead lines.
You can mix the octaves however you want to create your own signature sound. And the pedal features a controllable boost button to help you lift your solos up above the mix.
An octave divider or any other pedal is only as good as it sounds, and you can count on Octavius to deliver all the warm, vintage-sounding tone you’d expect from T-Rex.
Try out the T-Rex Octavius and experience the thrill of what this masterpiece of sound and technology can do for the music you make.
LO OCT knob lets you set the volume of the lower octave signal produced by the pedal.
HIGH OCT knob controls the volume of the higher octave signal produced by the pedal.
The balance between the levels of these 2 knobs is what creates your particular octave-divided sound. Experiment with your mix, and you’ll be amazed at the variety of effects you’ll get.
MASTER MIX knob lets you set the overall volume of your low and high octaves compared to your direct signal.
Use the BOOST knob to control the output of your octave-divided sound. The boost function lets you dial in a solo level, whether the overdrive circuit is activated or not.